I apply recent scientific research to demonstrate what can be learned about depiction from the science of perception. I argue that this application of perceptual psychology and physiology has been neglected in recent years, but contend that it is being revived by writers such as John Onians. This thesis examines the use of the science of visual perception in the study of art. I personally always associate a very liberated and dynamic type of drawing with this material, and if you approach your drawing in this fashion with the graphite you will get the best results. You don’t have this facility with the pencil, and you will be surprised at what you can achieve with this potential in terms of mark making.

Because it has no outer casing you can make so much more use of the side. It is a medium that is very versatile, and before you start to draw with it in earnest you should experiment with the potential that the medium has to offer.

It is also more appropriate for larger drawings rather than smaller ones for obvious reasons.

Mood is very easily effected with this medium, and it is definitely not suited for drawings of a technical nature. The type of drawings we would produce with this type of medium would be quick, heavy, dramatic drawings using strong, dark lines, large areas of dark tones, or interesting textural marks. Instead it is more suited for robust drawings of an expressive nature, and it works well together with a plastic eraser. As you might gather from the illustra - tion this type of material is not meant for detailed accurate drawings. They are in fact solid lengths of graphite that come in different thicknesses and grades of hard and soft. The difference being that pure graphite is not encased in wood. at The School of Visual & Performing Arts, Syracuse University.Graphite is the same medium that pencils are made of. in Computer Graphics at Pratt Institute and her B.F.A. To further this concept, she sometimes prints her digital images directly on to canvas and in some cases applies paint directly on the printed canvas.Patty received her M.F.A. She merges her graphic design sensibilities with traditional paint-like qualities. Her work has been featured in various print and online publications.In addition to teaching, Patty is committed to her own artwork. She has given lectures about graphic design in Bangkok, Thailand, and has presented at academic and professional design conferences in the United States and Europe. In that capacity, she designed the artistic components for business proposals, brochures, and invitations for corporate functions. Prior to teaching, Patty was a Senior Designer/Art Director for Ernst & Young. Professor of Graphic Design at New York Institute of Technology. Wongpakdee is a graphic artist based in New York.

Beyond art fundamentals pdf